Current Work
Welcome to my artwork page. Here you will find examples of my primary work from 2016 until now. These are acrylic monotypes, which are one-of-a-kind original works on paper. I began to experiment with this printmaking work in 2015. To learn more about my process, click here. To shop for all available work, go to my shop.
Transmissions I
Senses Working Overtime
Transmissions II
Why Can't I Touch It?
Mind the Gap
Demolition
Ready to Start
Sidewalking
Crystal Blue Persuasion
Everything Counts
This is the Modern World
The Reflexx
Dream Police
Floating
Beach House
After Cress II
Tunnel Vision
Lost in the Supermarket
Ricochet II
Almost Gold
After Cress
How Soon is Now?
One Thing Leads to Another
City With No Children
Blue Monday
Pictures of You
Dreamscape
Crystal Castles
Sharpen Your Knives
Floating Nets
Bring on the Dancing Horses
Rain on Lens
Like Broken Glass
Artist Statement
I have always had two different artistic personas inside of me. One of those loves Realism and tends toward the use of intentional line and value, and the other is drawn to Expression that relies on the purity and interplay of color, shape and a freer use of line. In my current body of work, I have been able to explore all of these impulses through the use of the modern printmaking technique of “Gelli” plate monoprinting.
I had previously thought that “true” prints needed to employ printing ink. This changed when I began to experiment with using acrylic paints on these flexible, reusable “gel” plates. To create these monotypes (monoprints), I employ a variety of masking techniques (including my own handmade stencils) and various methods of paint application on the plates. I transfer the “images” onto quality papers via the “Gelli” plates, all by hand, in a multilayer, puzzle-piecing type of process. I am able to achieve transparent layering effects and still have bold and fantastic colors, with a remarkably short drying time in between the layers.
I have fallen in love with the graphic and screen-printed quality that can be achieved with this unique method of non-press printing. The beauty and hardship of the monoprint, is that you have only “one shot”, because there is no way to “backup” or erase. And due to all of the steps and variables, the designs cannot be completely replicated. I am a painter at heart, with a love of printmaking. With the methods that I have been inventing using these types of plates, I am able to create very unique works that have the graphic appeal of many print methods, with the unique quality of being one-of-a-kind paintings in their own right.
I love exploring ways of combining careful planning with experimentation, juxtaposing freer, more organic shapes and marks with geometric shapes and lines. The different techniques and processes I am using allow me to indulge multiple facets of my artistic sensibilities, and hopefully, the resulting interplay between the pieces and the viewer create a unique and enjoyable visual experience.