Welcome to CHA ART SPACE! This is a modular public art exhibit space, currently housed in the Ticketing area of the Chattanooga Metropolitan Airport. It was established in 2021 by artist and curator, Carrie Pendergrass, in collaboration with the Chattanooga Airport.
Exciting Update: CHA ART SPACE has now joined forces with local Chattanooga arts non-profit, AVA (Association for Visual Arts) as a satellite program!
CHA ART has a new page on AVA’s website & an Online Store where you can go to directly purchase works & learn more about the current show, “Summer” which just opened on Sept. 1, 2024 and will run into November 2024.
Note: This page is now an exhibit archive. Scroll down to learn more about the inaugural exhibit, Into the Blue, and all previous exhibits.
Below you will find images of the spring 2024 exhibit, entitled UNFOLD. Artists submitted work relating to the following concepts: To “unfold” is an action (verb) that can mean, “to open or spread out from a folded position or “to reveal or disclose” (thoughts or information). It can also refer to the “unfolding of something (of information or a sequence of events) to be revealed or disclosed.” ( From Oxford Languages). If you are interested in purchasing work from the exhibit, please email Carrie Pendergrass @ cha.curator@gmmail.com. You can visit the individual sites of the artists by scrolling & clicking on the artworks.
Below is an image from the last exhibit, which opened on January 15, 2024 & ran through early April 2024. It was a unique departure from our usual exhibits that highlight local and regional artists, and instead highlighted a small grouping of handwoven antique coverlets as a special collaboration between The Houston Museum of Decorative Arts (click to go to their website) and CHA ART SPACE. The Houston is located in the historic Bluff View Arts district of Chattanooga, TN, in an 1890s Victorian-era home. The entire collection was amassed by one incredible woman, Anna Safley Houston, and features an amazing array of turn-of-the-century treasures, including blown glass pitchers, art glass baskets, music boxes, Tennessee-made furniture, German beer steins & so much more! The handcrafted coverlets on display are from Anna’s collection and are just a small part of what the Houston Museum has to offer.
The Gallery of images below is from last exhibit, entitled “etc.,” which was installed on Oct. 20, 2023 & ran through mid-January 2024. It is our first ever “themeless” exhibit, and represents various media, styles, and subjects from local & regional artists. For purchasing information, please contact the curator, CARRIE PENDERGRASS, via email HERE! By clicking on the individual images, you can explore the personal sites of each artist.
The Gallery of images below is from the previous exhibit, entitled THE SPACE BETWEEN, which ran from July 8, 2023-Oct. 20. For purchasing information, please contact the curator, CARRIE PENDERGRASS, via email HERE! By clicking on the individual images, you can explore the personal sites of each artist. About this exhibit: The everyday notion of “space” is generally thought of as the physical distance or proximity between two places, beings, or structures, or even as a specific place in and of itself. When we examine works of art, “space” can refer to the voids or visual “resting places” within and outside of shapes and forms. In that same way, we discuss the concepts of “positive” space (usually an area that’s been “added” in) or “negative” space (usually an area that’s left “empty”) and how an artist uses those ideas in a composition to create a sense of visual harmony or discord. We invite you to enjoy the variety of artistic translations to the “space between.” Some artists explored positive and negative space as a visual concept, while others related it to a spiritual or psychological sense of “space,” or perhaps, somewhere in between.
The Gallery of images below is from the exhibit, entitled EMERGENCE, which ran from March 17, 2023 through early July. For purchasing information, please contact the curator, CARRIE PENDERGRASS, via email HERE! By Clicking on on the individual images, you can explore the personal sites of each artist. About this exhibit: Oxford Languages defines emergence as: 1. the process of coming into view or becoming exposed after being concealed & 2. As the process of coming into being, or of becoming important or prominent. The idea that emergence can be used to reference something that already exists and is only now able to be seen, revealed or experienced, or that it can refer to something that is happening for the first time, that might not even be visible, opens it up to a wide range of artistic interpretations.
Below is an image from an exhibit, which opened on January 10, 2023 & ran through March 16, 2023. It was a unique departure from the usual exhibits that highlight local and regional artists, and instead highlights a small grouping of antique quilts as a special collaboration between The Houston Museum of Decorative Arts (click to go to their website) and CHA ART SPACE. The Houston is located in the historic Bluff View Arts district of Chattanooga, TN, in an 1890s Victorian-era home. The entire collection was amassed by one incredible woman, Anna Safly Houston, and features an amazing array of turn-of-the-century treasures, including blown glass pitchers, art glass baskets, music boxes, Tennessee-made furniture, German beer steins & so much more! These handcrafted quilts on display are from Anna’s collection and are just a small part of what the Houston Museum has to offer. Plan a visit and be amazed!
The gallery of images below is from the last exhibit, entitled CHROMA, which closed on January 9, 2023. For purchasing information, please contact the curator, CARRIE PENDERGRASS, via email HERE! By Clicking on on the individual images, you can explore the personal sites of each artist. About this exhibit: There are various definitions for the term “Chroma,” but consider the following: The word “chroma” comes from the Greek word khrōma, meaning “color.” In art, chroma can also refer specifically to the saturation or intensity of a color (the visual “quality” of color). I chose the term as a general, overarching theme, seeking works that demonstrated a strategic, intentional use of color to emphasize their designs aesthetically and/or in mood or theme. Some works were created based on notable color systems or color theory concepts (i.e. a monochromatic arrangements, color wheel-based harmonies, etc.), while others demonstrate a more intuitive and organic understanding of color relationships.
The artwork below was from the previous exhibit entitled: A Tipping Point. At first glance, the name could refer to visual imagery that depicts a situation of precarious balance, which could at any moment, tip and fall. However, the theme could easily translate into a more philosophical meaning. In his book by the same name, Malcolm Gladwell refers to the tipping point as "the moment of critical mass, the threshold, the boiling point." The Merriam-Webster Dictionary defines a tipping point as,” the critical point in a situation, process, or system beyond which a significant and often unstoppable effect or change takes place.” We hope that you enjoy exploring the variation in interpretation, styles, and themes.
To read the individual artist’s statements, click here:
The last installation of work, called A Stilled Life, ran from Jan-June of 2022. This exhibit was comprised of the work of 18 different artists’ works that centered around the following concept, “as the title suggests, the theme refers to a captured, motionless moment. This could be interpreted through the traditional art genre known as “still life” (which usually refers to an artists’ arrangement of inanimate, everyday objects, i.e. flowers, fruit, etc.), or can be further realized as a frozen “snapshot” of everyday life. Due to this more open interpretation, entries could have figures, landscapes or other figurative elements.
The inaugural exhibit, which was entitled Into the Blue: Abstraction in the Airport, featured 10 artists’ works, created explicitly for this show. Each of the artists was chosen for their ability to work in abstraction, and the works were created with the title prompt of “into the blue,” denoting the singular “rule” of using the color blue somewhere in the piece. (The pieces could also be inspired by something relating to corresponding concepts surrounding “flight,” “sky,” etc. but this was not required). The following artists were represented in this exhibit (click on their names to be transported to their websites/social): Mark Bradley-Shoup, Jan Burleson, Amber Droste, Sue Fox, Ellen Franklin, Myles Freeman, Linda Kerlin, Carrie Pendergrass, Rylan Thompson, & Heath Montgomery Some of the works from the show are still available for purchase through CHA ART SPACE. Click on Individual works to learn more!
Follow our journey:
OUR PARTNERS/ PAST SPONSORS:
“Carrie Pendergrass/ CHA ART Space is an ArtsBuild, Public Art Chattanooga, & Southeast Tennessee Development District Community Arts Partner”